The genre of Drama fits “A Streetcar Named Desire” because
it helps readers think more about the actions of the characters. The format of
the play helps readers see things that are going on in the text, the stage
directions give an extra insight of understanding to things readers cannot see
or do not have the information. “She is daintily dressed in a white suit with a
fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as
if she were arriving at a summer tea or cocktail party in the garden district”
(Williams, 15). The stage directions
give information to readers that they do not have access to. With this
information readers are able to understand that Blanche is a high-class end
person who is not used to living in the poverty that her sister Stella does.
Her appearance described all in white “suggest a moth,” this metaphor
illuminates the imbalance Blanche carries around herself. Readers understand
that her comparison of the moth as an imbalance creature whose sense of smell
is not fully heightened because their antennae’s do not have the club they need
in order to “see” the world clearly. Her “uncertain manner,” further describes
to readers that Blanche is not in a good place with herself and has gone for
the comfort of her sister Stella. “Blanche
sits in a chair very stiffly with her shoulders slightly hunched' and her legs
pressed close together and her hands tightly clutching her purse as if she were
quite cold,” (Williams, 18). Readers would not be able to see the discomfort of
Blanche without the stage directions that were placed right after readers are
told that Eunice has left the room. Her discomfort would not have been able to
be noticed by the readers, the character would just be sitting describing what
the room looks like to her. Readers would have to analyze how she identifies
with the objects in the room to understand her discomfort.
When it comes to
acting these Dramas, “A Streetcar Named Desire” helps actors portray the
emotion the characters are feeling. It gives access to the actors of what the
author thought these characters should look like. Stage directions in dramatic
plays helps actors go the extra mile that sometimes a book cannot achieve. The
introductory stage direction provides a setting for the readers, for actors it
provides a stage in which a story will take place. “The exterior of a two-story
corner building on a street in New Orleans which is named Elysian Fields and
runs be-tween the L & N tracks and the river,” (Williams, 13) states
exactly where the story will take place in. Both actors and readers are given
an image of what is happening and where this story takes place. The stage
directions keep actors and readers from guessing where things take place and
how they are supposed to look. Stage directions are the reason why actors can
portray the actions of characters clearly, signs of discomfort are directly
placed in the stage directions. Blanche’s clear discomfort with Eunice in the stage
directions and her snooping for the brandy in the room are clear indicators for
what the actors need to do.
This is a strong post that has many great examples to help prove your point. Overall I thought that the way you explained the importance of stage directions helped me understand your main point. I also like how you use the scene where Blanches discomfort was portrayed only through the use of the stage directions, and how the reader would not have noticed it without the directions. In general I believe you did an excellent job on this post and I also believe it was very interesting to read.
ReplyDeleteYour use of quotes to support your ideas is quite good and the quotes you use support your claims well. I agree with the idea that the stage directions add to the meaning and reading of the play. While I think this post could have been organized better, I think you did a great job of analyzing your main topics and it was actually very interesting to read.
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