The narrative in “A Rose for Emily” portrays numerous dark themes that were
characteristic of the Southern whites. Death is an important subject as it
reflects the 1930s decomposing of the South by relating it to Emily’s desire to
hold on to tradition to the extent of sleeping next to a corpse. There is also
a mention of the stationary mentality of the Southerners in their critique of
Homer Barron, a Northerner. Moreover, the author studies the concern of change
in as far as tradition is concerned. This change is best exemplified by the town
of Jefferson gradual improvement through garages, cotton gins, and a new mail
service. Emily’s refusal to pay taxes, using the Colonel's expired pardon, is
indicative of her refusal to change.
In the short story “Shooting the
elephant”, Orwell opines that through imperialism,
both conqueror and the victim are affected. Orwell explicitly states his
displeasure with colonial Britain and
his sympathy with Burma. When a gun in hand, a prey in front of, a cruel
colonist will not hesitate to shoot. But the narrator doesn’t have this
kind of violent tendency, he respected the animal life and he even more respected people’s lives.
Therefore, In
the depths of his heart, he wanted to save the people suffering by the
colonial rule. The
narrator indicates that the perceived ruler is not in full control, rather the
will of the people he has conquered control his decisions. In this regard, by
implementing the British rule, he loses his freedom while also oppressing the
natives; both the conqueror and victim are affected.
In both narratives, striking
similarities and dissimilarities are evident. An apparent similarity is in the
way both the Southern whites and the Englishmen treat the issue of the death. To both parties, death
is a weighty matter. This is best illustrated by the way Orwell, in Shooting an
Elephant, takes many time to kill the rogue animal. In fact, it is his wish
that he does not have to shoot the elephant. Nonetheless, the people’s will is
too strong for him to withstand. The Englishmen, however, are not able to
influence the people of Burma. The people upon whom they have established
colonial rule do not hold the life of the elephant with much regard. The
Southern whites also hold death as a weighty issue. They have also imposed
great influence upon a foreigner, the Negro, who leaves upon the death of his
master.
Moreover, when it comes to the issue of class, the
Southern whites do not influence Emily to accept a man of lower class. Emily is required adamantly on marrying a man from a
similar social class so that the
only way she can get free is killing Homer. Similarly, the
Englishmen are unable to influence the Burmese to value animal life equally so that the only thing he can do at that
circumstance is killing the elephant. Therefore, both Emily and the narrator in the “Shooting the elephant” are innocent.
They are just the victimized products of that era.
Also, the Southern
whites are receptive to change. The society is, however, unable to influence
Emily to accept change. This is indicated in her refusal to pay taxes. The
Englishmen in Burma, on the other hand, are unable to accept change and abandon
imperialism; they hence impose their influence upon the Burmese.
I really like the approach that compare their attitude and behavior when they need to " change". I see other point of view which I didnt consider. In addition, I like your claim "Therefore, both Emily and the narrator in the “Shooting the elephant” are innocent. They are just the victimized products of that era." Which is I am also feel sad about it too.
ReplyDeleteYour Comparison of two stories is very nice. It is very clear and easy to read. I like your point when you talking about the similarity between two stories, and to be honest, I didn't notice there is similarity, that the lower class creatures being killed in both story by high class, because of the pressure from society. I agree with all the points that you bring up in this writting, and I would suggest that you thinking about the what are those effects on both conqueror and victim.
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